Architectural Eclecticism: From Antiquity to Modernity
The architectural appearance of Reims is unique in that two dominant eras coexist harmoniously here: the majestic Middle Ages and the bold modernism of the 1920s. Due to massive destruction during the First World War, the city lost a significant part of its old ordinary buildings but acquired a new face, becoming the French capital of the Art Deco style.
Ancient Heritage and Romanesque Style
The earliest layers of the city date back to the Roman period and the early Middle Ages. They are characterised by monumentality and functionality.
- Porte de Mars (Mars Gate): The only surviving one of four Roman arches. It is a striking example of 3rd-century ancient architecture—the widest triumphal arch in the Roman world (33 metres), adorned with rich relief decoration.
- Basilique Saint-Remi (Saint-Remi Basilica): Demonstrates the transition from the Romanesque style to Gothic. The nave of the basilica (11th century) is executed in a strict Romanesque style with massive walls and semicircular arches, while the choir and façade already bear features of early Gothic.
Gothic: Vertical of Power and Faith
The period of the 13th–15th centuries gave Reims its main symbol. The Gothic style reached its apogee here, characterised by upward aspiration, an abundance of light, and complex sculptural decoration.
- Reims Cathedral (Notre-Dame de Reims): The standard of High Gothic. The building is known for the harmony of its proportions and an incredible number of statues (more than 2,300), including the famous "Smiling Angel". A feature of Reims Gothic is the use of the "bar-tracery" technique (openwork stone window frames), which allowed walls to be replaced with stained glass.
Classicism and Renaissance (17th–18th centuries)
In the Age of Enlightenment, the city acquired features of regularity and symmetry. Urban planning of this period sought to create open spaces and ensembles.
- Place Royale (Royal Square): A typical example of 18th-century French classicism. The square is surrounded by buildings with elegant façades, balustrades, and arcades, and a monument to Louis XV is installed in the centre.
- Palais du Tau (Palace of Tau): The former residence of the archbishops. Although the foundation of the building is medieval, its external appearance was completely reworked in the late 17th century by architect Robert de Cotte in the style of classicism, giving the palace severity and grandeur.
Art Deco: Architecture of Rebirth (1920s)
After 1918, Reims rose from the ashes. The city became an experimental ground for architects who rejected copying antiquity in favour of the Art Deco style. This period is characterised by geometric patterns, the use of reinforced concrete, stylised floral motifs, wrought iron, and bas-reliefs.
- Carnegie Library (Bibliothèque Carnegie): A masterpiece of the style. The façade is decorated with geometric mosaics and stained glass, and the interior impresses with the sophistication of its decoration using precious woods and onyx.
- Saint-Nicaise Church (Église Saint-Nicaise): A unique example of sacred architecture made of reinforced concrete. The building is designed in the shape of a Greek cross and decorated with stained glass windows by the famous René Lalique.
- Boulingrin Covered Market (Halles du Boulingrin): A bold engineering solution of 1929. A thin concrete vault only 7 cm thick, hovering over the trading rows, became a symbol of technological progress in the interwar era.
Modern Architecture and Postmodernism
In the 21st century, Reims continues to develop, integrating modern buildings into the historical canvas. New projects are distinguished by lightness, the use of glass, and respect for the context.
- Jean Falala Mediatheque (Médiathèque Jean Falala): Located directly opposite the cathedral, it demonstrates the delicate approach of modern architecture. The glass façade of the building reflects the Gothic spires, creating a visual dialogue between the past and the future.