Architectural Style: The Pinnacle of Nagara
The architectural appearance of Khajuraho is inextricably linked to the flourishing of the Chandela dynasty and represents the culmination of the North Indian temple architecture style known as Nagara. Unlike European cities where styles replaced one another over centuries, Khajuraho is a unique "architectural reserve" of a single period (10th–11th centuries), preserving unity of design and execution.
Key features of local architecture:
- Vertical Aspiration: The main element of the temple is the shikhara — a curvilinear tower symbolizing the mythical Mount Meru.
- Fractal Geometry: The main tower is surrounded by numerous smaller replicas (urushringas), creating the effect of a mountain range and visually increasing the height of the structure.
- Material and Technique: Most buildings are constructed from fine-grained sandstone (ranging from light beige to pinkish shades). The builders did not use mortar: the stones are held together by a system of mortise and tenon joints, as well as gravity.
- Sculptural Decor: Architecture and sculpture are inseparable here. The walls are covered with high reliefs depicting gods, apsaras (celestial dancers), and scenes from everyday life, including the famous artistic compositions depicting human intimacy.
Urban Structure and Zoning
Initially, Khajuraho developed not as a fortified citadel, but as an open religious garden city. Massive fortress walls, characteristic of other capitals of that time, are absent here. The urban planning logic is subordinate to sacred geography, and modern archaeologists divide the monuments into three main groups:
- Western Group: The most famous and rich part of the complex. Here are the most majestic temples, oriented towards the sunrise. This zone is distinguished by a dense concentration of religious structures and landscape design.
- Eastern Group: A historically established district where Jain temples dominate. This part of the city demonstrates the peaceful coexistence of different religions during the Chandela era.
- Southern Group: A more remote and scattered part of the complex, including temples built at the sunset of the era of great construction.
Iconic Structures of the Era
Every building in Khajuraho is a masterpiece of stone carving, yet several temples define the architectural face of the city:
- Kandariya Mahadeva (approx. 1025–1050): The pinnacle of Chandela architectural mastery. The tallest and most complex temple of the complex, over 30 meters high, decorated with nearly 900 sculptures.
- Lakshmana Temple (approx. 930–954): One of the oldest and best-preserved temples of the Western Group. It set the standard for subsequent buildings, establishing the canonical panchayatana layout (a main shrine with four smaller temples at the corners).
- Parshvanatha Temple (Eastern Group): The largest Jain temple in the city. Despite belonging to a different faith, it is executed in the same Nagara style but is distinguished by the absence of intimate sculptures and the exceptional fineness of the carving.
- Chausath Yogini Temple (late 9th century): The only surviving temple built entirely of granite. It belongs to the early, archaic period of development and is characterized by rough masonry and the absence of a shikhara, demonstrating the evolution of technology from granite to sandstone.