The architectural landscape of Banda Aceh represents a unique blend of traditional craftsmanship, colonial heritage, and modern solutions that emerged during the massive restoration of the city. Each historical period has left its mark on the appearance of the Aceh provincial capital.
Traditional Architecture of Aceh
The foundation of traditional architecture is the Rumoh Aceh—a wooden house on high stilts with a steep roof. This design was perfectly adapted to the hot and humid climate, as well as providing protection from floods and wild animals. The stilts ensured ventilation, and the space under the house was used for household needs. A striking example of such a structure is the main pavilion of the Aceh State Museum, which was originally built for a colonial exhibition in 1914. Decorative elements and wood carving often reflected Islamic motifs and the owner's social status.
The Sultanate Era and Colonial Influence
During the height of the Sultanate of Aceh, architecture absorbed Islamic traditions. The central structure of this era was the Baiturrahman Grand Mosque. Originally built in the 17th century, it featured a multi-tiered roof characteristic of the region. However, during the Aceh War, the mosque was burned down by the Dutch in 1873. Subsequently, colonial authorities rebuilt it between 1879 and 1881 to reconcile with the local population. The new design, developed by a Dutch architect, was executed in the Mughal Revival (Indo-Saracenic) style, with majestic domes and minarets, which radically changed its original appearance. The Dutch period is also commemorated by the Kerkhof Peucut military cemetery, the largest Dutch military burial site outside the Netherlands.
Modern Architecture and Post-Tsunami Recovery
The tragedy of 2004, when the tsunami destroyed more than 60% of the city's buildings, triggered a new stage of urban planning. The modern look of Banda Aceh is largely shaped by recovery projects. A key symbol of this period is the Aceh Tsunami Museum, designed by Ridwan Kamil (later the Governor of West Java). The building is shaped like a giant wave and simultaneously resembles a traditional Rumoh Aceh house, serving as a memorial, an educational center, and a shelter in case of future disasters. Other iconic objects include memorials such as the PLTD Apung—a 2,600-tonne floating power plant ship that the wave carried several kilometers inland. The massive reconstruction brought modern infrastructure to the city, while maintaining respect for the cultural and religious traditions of the region.