Architectural Appearance and Urban Planning
The urban structure of Brindisi is unique in that it formed around a natural harbour shaped like deer antlers. The city developed like an amphitheatre facing the sea, where each era left its traces, from ancient ruins to monumental structures of the 20th century. The architectural style of the city represents an eclectic mix, conditioned by both the strategic importance of the port and natural disasters (the earthquake of 1743).
Antiquity and Roman Heritage
The ancient Roman layout is still discernible in the historic centre, despite later layers. The main axis of development served as the end of the Appian Way.
- Roman Columns (Le Colonne Romane): The symbol of the city and the marker of the end of the Via Appia. Originally there were two, but one collapsed in the 16th century. The surviving column with a richly decorated capital demonstrates the skill of ancient architects.
- San Pietro degli Schiavoni Archaeological Area: Beneath the modern Verdi Theatre, an entire quarter of the Roman city with paved streets and remains of thermal baths is open for viewing, giving an idea of the density of buildings of that era.
Middle Ages: Romanesque Style and Gothic
In the Middle Ages, Brindisi was a transit point for Crusaders, which was reflected in the construction of religious buildings with a severe yet elegant appearance, characteristic of the Apulian Romanesque style.
- Temple of San Giovanni al Sepolcro (XI–XII centuries): A unique example of Romanesque architecture with a circular plan resembling the Church of the Holy Sepulchre in Jerusalem. The building is distinguished by massive walls and carved portals decorated with mythological figures.
- Church of San Benedetto (XI century): An example of early Romanesque style with a massive bell tower and a covered gallery (cloister) that has preserved a medieval atmosphere of seclusion.
- Church of Santa Maria del Casale (XIII century): A vivid example of the transition from Romanesque style to Gothic. The façade is made of two-tone stone (white and grey) in a geometric style characteristic of the civil and religious architecture of the region.
Era of Fortifications: Swabian and Aragonese Heritage
The military importance of the port dictated the necessity for powerful defensive structures, which became dominant features of the cityscape.
- Swabian Castle (Castello Svevo): Founded by Frederick II in 1227. This massive structure with square towers, later strengthened by Aragonese bastions, dominates the inner harbour (the "Land Castle").
- Aragonese Castle (Castello Alfonsino): Built in the XV–XVI centuries on the island of Sant'Andrea at the entrance to the port (the "Sea Castle"). The complex combines severe military fortification with elegant elements of Renaissance architecture.
Baroque and City Restoration
After the devastating earthquake of 1743, many buildings were rebuilt in the Baroque style, although more restrained than in neighbouring Lecce.
- Cathedral (Duomo): Originally Romanesque, it was almost completely restored in the 18th century. The façade and interiors acquired features of the late Baroque, preserving only fragments of the original mosaic floor of the 12th century.
- Seminary Palace (Palazzo del Seminario): An elegant 18th-century building designed by architect Mauro Manieri, adorning the Cathedral Square with its majestic façade.
XX Century: Rationalism and Modernism
During the period of Fascist Italy and the post-war years, the city received new monumental accents executed in the style of Rationalism, emphasising the maritime power of the state.
- Monument to Italian Sailors (1933): A giant structure in the shape of a ship's rudder, 53 metres high. The building is made of reinforced concrete and clad in carparo (local stone), being a striking example of the monumental architecture of that time.
- Buildings on the Regina Margherita Embankment: A row of buildings, including the Palazzo della Provincia, form the modern maritime façade of the city, combining elements of Neoclassicism and Modernism.