The architectural appearance of Fukushima City presents a multi-layered canvas where traditional Japanese motifs harmoniously coexist with buildings from the era of Westernisation and modern structures. Urban development, initially focused around the castle, reflects the key historical stages of the region.
Traditional Architecture and the Edo Period (Pre-1868)
Historically, Fukushima developed as a jokamachi — a castle town. The central element was Fukushima Castle, built in the 12th century. Although mostly only stone foundations and moats remain today, its location determined the initial street grid and the layout of the city centre. Traditional architecture of this period is mainly represented in religious buildings and preserved old houses. An excellent example can be seen at the Minka-en open-air museum, which houses traditional homes (kominka) with characteristic thatched roofs, sliding partitions, and wooden structures built without a single nail. Also, on Mount Shinobu, there are the Iwaya Kannon Buddhist statues, carved into the rock about 300 years ago, serving as a fine example of religious art.
The Meiji Era and Western Influence (1868–1912)
With the onset of the Meiji era, Western styles began to penetrate Japanese architecture. In Fukushima, this manifested in the construction of public and administrative buildings made of brick and stone. Pure European styles, such as Gothic or Baroque, are not found here, but their elements were borrowed and reinterpreted within the framework of the so-called giyofu style (pseudo-Western style). Vivid examples of this era are former prefectural government buildings or banks, which combined European monumentality with Japanese construction techniques. One of the most spectacular examples of architecture from this period is an old theatre with a thatched roof, built in 1887, which is also located in the Minka-en museum.
Modernism and Contemporary Architecture (20th–21st Centuries)
The 20th century and post-war reconstruction brought modernist architecture to the city, characterised by functionality, simple geometric forms, and the use of concrete, glass, and steel. A landmark object of this period is the Fukushima Prefectural Museum of Art (1984), distinguished by its concise design and thoughtful interaction with the surrounding landscape. Modern urban planning is associated with the development of transport infrastructure, such as the Shinkansen high-speed train station, and the erection of new community centres. Following the events of 2011, special attention in new construction is paid to seismic resistance and principles of sustainable development, which is reflected in projects such as the community centre in the city of Sukagawa. New buildings erected as part of the reconstruction symbolise not only revival but also a vision for the future.