The architectural appearance of Ashgabat is unique and reflects the dramatic history of the city, which has gone through several stages of complete transformation. Each era has left its mark, forming an eclectic but essentially harmonious ensemble.
Russian Imperial Period (1881 — early 20th century)
Initially, Ashgabat (at that time Askhabad) was built as a military-administrative centre of the Russian Empire. This period was characterized by a clear rectangular street layout, typical of many colonial cities of that time. The architecture was predominantly functional: one- and two-storey houses made of adobe or fired brick. There were few monumental buildings, but among them stood out the Voskresensky Cathedral and the Baha'i House of Worship, which, unfortunately, have not survived to this day. Overall, it was a typical garrison town with elements of European development.
Soviet Era: From Neoclassicism to Modernism
This period can be divided into two key stages, the boundary between which was the catastrophic earthquake of 1948.
- Pre-war Period (1920s – 1948): After the proclamation of Ashgabat as the capital of the Turkmen SSR, the reconstruction of the city began in the spirit of the new times. Industrial enterprises and public buildings appeared, with architectural features tracing back to Constructivism.
- Post-war Restoration (1950s – 1980s): The 1948 earthquake practically wiped the city off the face of the earth. Restoration was carried out according to a single master plan developed by Leningrad architects. The leading style became Soviet Neoclassicism (Stalinist Empire style). The city centre was built up with monumental buildings featuring wide avenues, symmetrical facades, and classical decorative elements. Examples of this style include the complex of buildings of the Academy of Sciences (1949–1953) and old government institutions. From the 1960s, Neoclassicism was replaced by Soviet Modernism, characterized by stricter, functional forms and the use of reinforced concrete structures. Iconic objects of this era were the State Library building (1964–1976) and the "Gulistan" shopping centre (old market No. 4).
Independence Period: The Era of White Marble
After 1991, the most massive and famous transformation of Ashgabat began. The city became a showcase for the new state, reflected in a unique architectural style that can be described as Monumental Orientalist Postmodernism. Its key features:
- Massive Use of White Marble: Almost all new and many reconstructed old buildings were clad in white marble. This earned Ashgabat a place in the Guinness World Records as the city with the highest concentration of white marble buildings.
- Gigantomania and Symbolism: New structures amaze with their size and unusual shapes, often carrying symbolic meaning. For example, the Wedding Palace "Bagt Koshgi" is designed in the form of the eight-pointed star of Oguzhan with a globe inside, and the Ministry of Oil and Gas Industry building resembles a lighter.
- National Motifs: The decor widely uses national ornaments, elements related to the history and culture of the Turkmen people, such as images of carpet guls and the eight-pointed star.
Among the iconic buildings of this era are the monumental Arch of Neutrality, the "Oguzhan" Presidential Palace, the "Ruhyiyet" Palace of Congresses, and numerous ministries, hotels, and residential complexes that form the unique and grandiose appearance of the modern capital of Turkmenistan.